{"id":2806,"date":"2026-05-17T15:20:36","date_gmt":"2026-05-17T18:20:36","guid":{"rendered":"https:\/\/www.institutochicomario.org.br\/musimagem-festival-2026\/"},"modified":"2026-06-29T17:00:33","modified_gmt":"2026-06-29T20:00:33","slug":"musimagem-festival-2026","status":"publish","type":"page","link":"https:\/\/www.institutochicomario.org.br\/en\/musimagem-festival-2026\/","title":{"rendered":"Musimagem Festival 2026"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; next_background_color=&#8221;#ffffff&#8221; admin_label=&#8221;Hero&#8221; _builder_version=&#8221;4.27.6&#8243; _module_preset=&#8221;74c69059-8e69-4122-b1e6-dfeabf6c5711&#8243; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_stops=&#8221;rgba(0,0,0,0.6) 0%|rgba(0,0,0,0.9) 100%&#8221; background_color_gradient_overlays_image=&#8221;on&#8221; background_color_gradient_start=&#8221;rgba(0,0,0,0.5)&#8221; background_color_gradient_end=&#8221;rgba(0,0,0,0.75)&#8221; background_image=&#8221;https:\/\/www.institutochicomario.org.br\/wp-content\/uploads\/2026\/05\/fundo.png&#8221; 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Explore workshops, panel discussions, and concerts that are shaping the future of soundtracks! <\/p>\n<p>[\/et_pb_text][et_pb_button button_url=&#8221;https:\/\/docs.google.com\/forms\/d\/e\/1FAIpQLSdkUHgdVtXH2YfufCd-vKY90udq6Ko5azIz2v9VYKltWeWVOw\/viewform?usp=dialog&#8221; url_new_window=&#8221;on&#8221; button_text=&#8221;Sign up now!&#8221; _builder_version=&#8221;4.27.6&#8243; _module_preset=&#8221;ab15fb74-61a3-43aa-96b3-41e09aeef654&#8243; custom_button=&#8221;on&#8221; button_text_size=&#8221;14px&#8221; button_text_color=&#8221;rgba(208,0,255,0.63)&#8221; button_bg_color=&#8221;#FFFFFF&#8221; button_border_width=&#8221;0px&#8221; button_border_radius=&#8221;100px&#8221; button_font=&#8221;Poppins|700|||||||&#8221; custom_padding=&#8221;12px|24px|12px|24px|true|true&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_button][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;73121f80-a3ef-4484-8763-c3f18e3c56d2&#8243; 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header_5_text_color=&#8221;#0e0c19&#8243; header_5_font_size=&#8221;18px&#8221; header_5_line_height=&#8221;1.4em&#8221; header_6_font=&#8221;Abril Fatface|Abril Fatface_weight|||||||&#8221; header_6_text_color=&#8221;#0e0c19&#8243; header_6_line_height=&#8221;1.5em&#8221; custom_margin=&#8221;||||false|false&#8221; text_font_size_tablet=&#8221;15px&#8221; text_font_size_phone=&#8221;14px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; header_font_size_tablet=&#8221;40px&#8221; header_font_size_phone=&#8221;24px&#8221; header_font_size_last_edited=&#8221;on|desktop&#8221; header_2_font_size_tablet=&#8221;28px&#8221; header_2_font_size_phone=&#8221;20px&#8221; header_2_font_size_last_edited=&#8221;on|phone&#8221; header_3_font_size_tablet=&#8221;22px&#8221; header_3_font_size_phone=&#8221;17px&#8221; header_3_font_size_last_edited=&#8221;on|phone&#8221; header_4_font_size_tablet=&#8221;18px&#8221; header_4_font_size_phone=&#8221;15px&#8221; header_4_font_size_last_edited=&#8221;on|tablet&#8221; header_5_font_size_tablet=&#8221;15px&#8221; header_5_font_size_phone=&#8221;14px&#8221; header_5_font_size_last_edited=&#8221;on|desktop&#8221; header_6_font_size_tablet=&#8221;13px&#8221; header_6_font_size_phone=&#8221;13px&#8221; header_6_font_size_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>The <strong>Musimagem Festival<\/strong> is now in its twelfth edition, for the second consecutive year in partnership with USP!<\/p>\n<p>In addition to Brazilian and international guests and the composers from Musimagem, the music-for-the-screen festival\u2014the first of its kind in the Americas\u2014kicks off another edition in partnership with the Brazilian Union of Composers (UBC), Abramus, Assim, designer Maurizio Manzo, the Spanish website SoundtrackFest, producer Robert Townson, and, once again, with the special partnership of the School of Communications and Arts at the University of S\u00e3o Paulo (ECA\/USP), through its Department of Film, Radio, and Television (CTR).<\/p>\n<p>Since its inception, the festival has been establishing its importance not only for professionals working in the audiovisual and music industries, but also for audiences passionate about the soundtracks of audiovisual works\u2014whether in film, TV, series, video games, advertising, or journalism. This presence has been increasingly recognized by the specialized press, both in Brazil and abroad. <\/p>\n<p>From August 9 to 12, the festival will feature lectures and panel discussions with composers from various parts of Brazil, composer Rui Reis Maia (Netherlands), and composer David Mansfield, who is based in the U.S., as well as concerts by the Musim\u00e1gicos and our partner, the ALMAI Orchestra, featuring arranger Alexey Kurkdjian Ogalla and musical director Anselmo Mancini.<\/p>\n<p>May it be a wonderful, enriching, and exciting festival!<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/www.institutochicomario.org.br\/wp-content\/uploads\/2026\/03\/musimagem2.jpg&#8221; title_text=&#8221;musimagem2&#8243; _builder_version=&#8221;4.27.6&#8243; _module_preset=&#8221;1cc6152f-565c-4c4d-b0c9-cf8c9576c341&#8243; 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Prof. L\u00facio Martins Rodrigues, 443 \u2014 Cidade Universit\u00e1ria, Butant\u00e3, S\u00e3o Paulo, SP. <\/span><\/p>\n<p><span>Only the concerts will take place at the<strong> Camargo Guarnieri Auditorium \u2014 USP.<\/strong><\/span><\/p>\n<\/div>\n<div class=\"message-container-api-actions\"><\/div>\n<p>[\/et_pb_text][et_pb_button button_url=&#8221;https:\/\/docs.google.com\/forms\/d\/e\/1FAIpQLSdkUHgdVtXH2YfufCd-vKY90udq6Ko5azIz2v9VYKltWeWVOw\/viewform?usp=dialog&#8221; url_new_window=&#8221;on&#8221; button_text=&#8221;Sign up here!&#8221; _builder_version=&#8221;4.27.6&#8243; _module_preset=&#8221;ab15fb74-61a3-43aa-96b3-41e09aeef654&#8243; custom_button=&#8221;on&#8221; button_text_size=&#8221;14px&#8221; button_text_color=&#8221;#FFFFFF&#8221; button_bg_color=&#8221;#8300E9&#8243; button_border_width=&#8221;0px&#8221; button_border_radius=&#8221;100px&#8221; button_font=&#8221;Poppins|700|||||||&#8221; custom_padding=&#8221;12px|24px|12px|24px|true|true&#8221; locked=&#8221;off&#8221; 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header_5_font_size_last_edited=&#8221;on|desktop&#8221; header_6_font_size_tablet=&#8221;13px&#8221; header_6_font_size_phone=&#8221;13px&#8221; header_6_font_size_last_edited=&#8221;on|desktop&#8221; text_orientation_tablet=&#8221;left&#8221; text_orientation_last_edited=&#8221;off|desktop&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<div class=\"dd-privacy-mask message-api-text mathjax-allowed markdown-body innerai-assistant-message\">\n<div class=\"dd-privacy-mask message-api-text mathjax-allowed markdown-body \">\n<p><strong>10 a.m. \u2014 Course: &#8220;Creative Processes in Audiovisual Composition&#8221;<\/strong><\/p>\n<p>The course is divided into three parts: the first, which is brief and expository, sets the stage for the second part, during which the audience works collectively to create music for excerpts from pre-existing films (screening, analysis, discussion, and proposal). Finally, in the third part, the process explored is analyzed and evaluated. <\/p>\n<p>Felipe Radicetti<\/p>\n<p><strong>2:00 p.m. \u2014 Panel Discussion: &#8220;AI in Soundtracks: From Fear to Routine&#8221;<\/strong><\/p>\n<p>This panel will feature a practical discussion on the use of Artificial Intelligence in soundtrack production, drawing on the real-world experience of professionals who already use these tools in their daily work. The idea is not to discuss whether AI \u201cis good or bad,\u201d nor to engage in abstract philosophical or legal speculation, but to show how these technologies are being incorporated into the actual workflows of creation, production, and delivery of soundtracks for audiovisual media. The discussion will cover tools, approaches, limitations, efficiency gains, and creative impacts, featuring practical examples and complementary perspectives from those currently working in this field.  <\/p>\n<p>Lou Schmidt<br \/>Marcio Nigro<br \/>Mauricio Domene<\/p>\n<p><strong>3:30 p.m. \u2014 Soundtracks in Europe<\/strong><span><br \/><\/span>Rui Reis Maia (Portugal\/Netherlands)<\/p>\n<p><strong>4:30 p.m. \u2014 The Soundtracks of Marcos Valle<br \/><\/strong>Marcos Valle<br \/>Moderator: Dudu Vianna<\/p>\n<p><strong>6:30 p.m. \u2014 Meeting of composers and music supervisors<\/strong><br \/>Moderator: Jos\u00e9 Celso Guida, <br \/>Composers: Talita Del Collado, Lucas Faria, Marcos Souza, Tim Rescala, Zeh Neto, Jo\u00e3o Batista, Felipe Radicetti, Ricardo Petracca, Alberto Rosenblit <br \/>Music supervisors: Janecy Nascimento, Mario Di Poi, Xor\u00e3o.<br \/>Marcos Valle<\/p>\n<\/div>\n<div class=\"message-container-api-actions\"><\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner _builder_version=&#8221;4.18.0&#8243; 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header_3_font_size_last_edited=&#8221;on|phone&#8221; header_4_font_size_tablet=&#8221;18px&#8221; header_4_font_size_phone=&#8221;15px&#8221; header_4_font_size_last_edited=&#8221;on|tablet&#8221; header_5_font_size_tablet=&#8221;15px&#8221; header_5_font_size_phone=&#8221;14px&#8221; header_5_font_size_last_edited=&#8221;on|desktop&#8221; header_6_font_size_tablet=&#8221;13px&#8221; header_6_font_size_phone=&#8221;13px&#8221; header_6_font_size_last_edited=&#8221;on|desktop&#8221; text_orientation_tablet=&#8221;left&#8221; text_orientation_last_edited=&#8221;off|desktop&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>10 a.m. \u2014 Course: Music Production with the Free Waveform Software<\/strong><span><br \/><\/span>Zeh Netto<\/p>\n<p><strong>2:00 p.m. \u2014 Audiovisual Composers: Teams, Structures, and Workflow<\/strong><span><br \/><\/span>Fabio Goes<br \/>Tim Rescala<\/p>\n<p><strong>3:30 p.m. \u2014 Abramus Panel<\/strong><\/p>\n<p><strong>4:30 p.m. \u2014 Related Rights in the Age of Streaming: Is It Over, or Can It Be Reinvented?<\/strong><span><br \/><\/span>Fernando Yazbek<br \/>, and Felipe Radicetti<\/p>\n<p><strong>5:30 p.m. \u2014 USP and UNESPAR Panel<\/strong><span><br \/><\/span>Ricardo Petracca<br \/>, and Edu Vicente<\/p>\n<p><strong>6:30 p.m. \u2014 Conversation with David Mansfield (International Guest)<br \/><\/strong><\/p>\n<p>David Mansfield is an award-winning American composer of film and television scores, violinist, and multi-instrumentalist. He began his professional career as a teenager, and at age 18, he joined Bob Dylan\u2019s band during the historic Rolling Thunder Revue tour, recording albums and appearing in films and documentaries alongside the artist. <\/p>\n<p>As a composer, he has built a solid career in Hollywood and in international cinema, collaborating with directors such as Michael Cimino, Arturo Ripstein, Maggie Greenwald, Walter Hill, and Robert Duvall. His score for *Deep Crimson* won the award for Best Original Score at the Venice Film Festival and the Havana Film Festival, while the miniseries *Broken Trail*, composed in collaboration with Van Dyke Parks, was nominated for an Emmy. <\/p>\n<p>David produced the soundtrack albums for the films *Heaven&#8217;s Gate*, *Year of the Dragon*, *The Sicilian* (The Sicilian), \u201cDesperate Hours,\u201d \u201cBallad of Little Jo,\u201d and \u201cBroken Trail,\u201d among others.<\/p>\n<p>[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;|||131px||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column_inner saved_specialty_column_type=&#8221;3_4&#8243; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;73121f80-a3ef-4484-8763-c3f18e3c56d2&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_heading title=&#8221;August 12&#8243; _builder_version=&#8221;4.27.6&#8243; _module_preset=&#8221;ba4a6336-701f-47b8-bf5c-09da0ce28016&#8243; title_level=&#8221;h3&#8243; title_font=&#8221;Abril Fatface|Abril Fatface_weight|||||||&#8221; title_text_color=&#8221;#1297ea&#8221; title_font_size=&#8221;32px&#8221; title_line_height=&#8221;1.3em&#8221; custom_margin=&#8221;||10px||false|false&#8221; custom_padding=&#8221;|95px||||&#8221; title_font_size_tablet=&#8221;22px&#8221; title_font_size_phone=&#8221;17px&#8221; title_font_size_last_edited=&#8221;on|phone&#8221; border_color_all=&#8221;#03045e&#8221; border_width_bottom=&#8221;2px&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{%22#0e0c19%22:%91%22title_text_color%22%93,%22#03045e%22:%91%22title_text_color%22,%22border_color_all%22%93}&#8221;][\/et_pb_heading][et_pb_text quote_border_color=&#8221;#0077b6&#8243; _builder_version=&#8221;4.27.6&#8243; _module_preset=&#8221;2c55a9c4-feed-423b-9edb-ae0b5b365cac&#8221; text_font=&#8221;Poppins|Poppins_weight|||||||&#8221; text_text_color=&#8221;#3c3a47&#8243; text_line_height=&#8221;1.75em&#8221; link_font=&#8221;|Poppins_weight|||||||&#8221; link_text_color=&#8221;#03045e&#8221; quote_font=&#8221;Abril Fatface|Abril Fatface_weight|||||||&#8221; quote_text_color=&#8221;#0e0c19&#8243; header_font=&#8221;Abril Fatface|Abril Fatface_weight|||||||&#8221; header_text_color=&#8221;#0e0c19&#8243; header_font_size=&#8221;72px&#8221; header_line_height=&#8221;1.15em&#8221; header_2_font=&#8221;Abril Fatface|Abril Fatface_weight|||||||&#8221; header_2_text_color=&#8221;#0e0c19&#8243; header_2_font_size=&#8221;50px&#8221; header_2_line_height=&#8221;1.2em&#8221; header_3_font=&#8221;Abril Fatface|Abril Fatface_weight|||||||&#8221; header_3_text_color=&#8221;#0e0c19&#8243; header_3_font_size=&#8221;32px&#8221; header_3_line_height=&#8221;1.3em&#8221; header_4_font=&#8221;Abril Fatface|Abril Fatface_weight|||||||&#8221; header_4_text_color=&#8221;#0e0c19&#8243; header_4_font_size=&#8221;24px&#8221; header_4_line_height=&#8221;1.4em&#8221; header_5_font=&#8221;Abril Fatface|Abril Fatface_weight|||||||&#8221; header_5_text_color=&#8221;#0e0c19&#8243; header_5_font_size=&#8221;18px&#8221; header_5_line_height=&#8221;1.4em&#8221; header_6_font=&#8221;Abril Fatface|Abril Fatface_weight|||||||&#8221; header_6_text_color=&#8221;#0e0c19&#8243; header_6_line_height=&#8221;1.5em&#8221; custom_margin=&#8221;||30px||false|false&#8221; text_font_size_tablet=&#8221;15px&#8221; text_font_size_phone=&#8221;14px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; header_font_size_tablet=&#8221;40px&#8221; header_font_size_phone=&#8221;24px&#8221; header_font_size_last_edited=&#8221;on|desktop&#8221; header_2_font_size_tablet=&#8221;28px&#8221; header_2_font_size_phone=&#8221;20px&#8221; header_2_font_size_last_edited=&#8221;on|phone&#8221; header_3_font_size_tablet=&#8221;22px&#8221; header_3_font_size_phone=&#8221;17px&#8221; header_3_font_size_last_edited=&#8221;on|phone&#8221; header_4_font_size_tablet=&#8221;18px&#8221; header_4_font_size_phone=&#8221;15px&#8221; header_4_font_size_last_edited=&#8221;on|tablet&#8221; header_5_font_size_tablet=&#8221;15px&#8221; header_5_font_size_phone=&#8221;14px&#8221; header_5_font_size_last_edited=&#8221;on|desktop&#8221; header_6_font_size_tablet=&#8221;13px&#8221; header_6_font_size_phone=&#8221;13px&#8221; header_6_font_size_last_edited=&#8221;on|desktop&#8221; text_orientation_tablet=&#8221;left&#8221; text_orientation_last_edited=&#8221;off|desktop&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>10 a.m. \u2014 The Soundtrack in the Short Film<\/strong>* <strong><br \/> * Moderator: Ricardo Petracca<\/strong><br \/>Panelists: Jo\u00e3o Batista Melo and Alexandre Guerra<\/p>\n<p>Short films are often the gateway for directors and composers into the audiovisual world, but they are also a format in which experienced professionals work. This panel discusses the specific aspects of the soundtrack for short films: How does it differ from feature films and series? What are the characteristics of original music in this format?  <\/p>\n<p><strong>2:00 p.m. \u2014 Mass Like This<\/strong><\/p>\n<p><strong style=\"font-size: 16px;\">3:30 p.m. \u2014 UBC Panel<\/strong><\/p>\n<p><strong>4:30 p.m. \u2014 Film Concert &#8211; Anselmo Mancini<\/strong><\/p>\n<p><strong>5:30 p.m. \u2014 SPCine Panel: The Creative Process in Soundtracks<\/strong><\/p>\n<p><strong>7:00 p.m. \u2014 Musim\u00e1gicos Concert (Camargo Guarnieri Theater &#8211; USP)<\/strong><\/p>\n<p>Alberto Rosenblit<br \/>Tim Rescala<br \/>Rui Reis Maia<br \/>Marcos Souza &#038; Karina Souza <br \/>Natalia Machiavelli<br \/>Anselmo Mancini<br \/>Talita Del Collado<br \/>Lucas Faria<br \/>Zeh Neto<br \/>David Mansfield<\/p>\n<p><strong><\/strong><\/p>\n<p>[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner _builder_version=&#8221;4.27.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column_inner saved_specialty_column_type=&#8221;3_4&#8243; 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header_6_font_size_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"font-variant: small-caps; color: magenta;\">Founder \/ Executive Director<\/span> \u2014 Marcos Souza<br \/><span style=\"font-variant: small-caps; color: magenta;\">Curated by<\/span> \u2014 Anselmo Mancini, Tim Rescala, Marcos Souza, Felipe Radicetti, Alexey Kurkdjian Ogalla<br \/><span style=\"font-variant: small-caps; color: magenta;\">Musical Direction<\/span> \u2014 Alexey Kurkdjian Ogalla, Anselmo Mancini<br \/><span style=\"font-variant: small-caps; color: magenta;\">Executive Production<\/span> \u2014 Atelier Cultural<br \/><span style=\"font-variant: small-caps; color: magenta;\">Production Director<\/span> \u2014 Karina Souza<br \/><span style=\"font-variant: small-caps; color: magenta;\">Strategic Partnerships<\/span> \u2014 Anselmo Mancini<br \/><span style=\"font-variant: small-caps; color: magenta;\">Designer<\/span> \u2014 Maurizio Manzo<br \/><span style=\"font-variant: small-caps; color: magenta;\">Public Relations Department<\/span> \u2014 MNiemeyer<br \/><span style=\"font-variant: small-caps; color: magenta;\">Website<\/span> \u2014 Jefte Amorim<br \/><span style=\"font-variant: small-caps; color: magenta;\">Produced by<\/span> \u2014 Musimagem Brasil, ECA \u2013 USP<br \/><span style=\"font-variant: small-caps; color: magenta;\">Guest Orchestra<\/span> \u2014 ALMAI \u2013 Free Association of Music and Integrated Arts<br \/><span style=\"font-variant: small-caps; color: magenta;\">USP Committee<\/span> \u2014 Eduardo Vicente, Anselmo Mancini<br \/><span style=\"font-variant: small-caps; color: magenta;\">Sponsors<\/span> \u2014 Funarte, UBC, Abramus, Assim<br \/><span style=\"font-variant: small-caps; color: magenta;\">Partnerships<\/span> \u2014 USP, ALMAI<br \/><span style=\"font-variant: small-caps; color: magenta;\">Supported by<\/span> \u2014 SoundTrackFest, Robert Townson Productions, Fimucit\u00e9 \u2013 Tenerife International Film Music Festival, ALMAI, Cine Concerto, Marcia Niemeyer, Le Musique Cafeteria, Volumina Art &#038; 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